Creating Opportunities to be More Creative

As a writer, being a creative person is a pretty big deal. We pride ourselves on how creative we are and yet there are times when we feel we just aren’t creative enough. It’s sort of a Ping-Pong match between the two. Some days it’s one, and a whole lot of other days, it’s the other. There have been quite a few times when I personally felt like I lost the game all together. Many times I found myself asking “Am I creative enough to be a writer?” or “What can I do to be more creative?”. In the end though, maybe it’s more of a question of how can we be the right amount of creative to accomplish our goals?

I want to tell you a story. Something that happened to me over the last few years that changed my life forever (causing me to abandon my blog for awhile too — sorry!) and made me see things in a little different light, especially concerning the way creativity works.

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Plotting Your Novel by Writing from the Middle

As a writer, I am always learning. I think that’s what I love most about writing — the learning never stops. I am either learning something new about myself and writing as I write, or I stumble across new information as I am looking to learn more about writing. This time it was the latter. Recently on Twitter, I ran across a book recommendation for plotting that I loved so much I had to share it here.

Write Your Novel From The Middle: A New Approach for Plotters, Pantsers and Everyone in Between by James Scott Bell is must read for anyone serious about writing. This book goes into detail about why writers should start from the middle of a story instead of the beginning or end (who would of thought!). And how finding a character’s “mirror moment” is essential to true character development.

I definitely believe character development is a key element in a story. The more a reader can relate with a character and feel for a character’s journey, the better the book becomes. And this method certainly will help with that!

This book also helped me realize that I’m a Tweener (I always thought myself a straight up Pantser). I do love writing by the seat of my pants. That’s how I get some of my best ideas, but I also know where I’m writing too as well. I have a loose idea of events I need to reach and about where I need those events to happen. Also, I find already knowing my ending is a necessity to writing, even if I don’t know specifics. Just having a good idea of where I need to stop gives me a clear goal to reach for. But after reading Bell’s book I have an even better way to approach my writing. Start in the middle and Pants my way to the beginning and end. I’ll still have those events and goal posts to reach, but I think it will be far easier to get there knowing exactly what the character’s journey should entail.

And you know this book couldn’t have come at a better time for me. I’ve become somewhat stalled on writing the first draft of my second novel. I think this technique will get things churning quite nicely. Thanks Bell. 🙂

 

Taking the Plunge to Self-Publish

It has been a long road since I started writing my novel Blood Feud. The journey began in April of 2012. I remember it well — a month of straight writing where the ideas just flowed like water. They pooled onto the page with little effort as months of thinking about my story and characters finally found a permanent place on the page. My story flourished but my poor family suffered from neglect. So at the end of the month and about 50,000 words later, I took a break. A few weeks later I came back to my marvelous work of art to realize everything I had written was total crap. And that pretty much sums up the next four years. Awesome spurts of writing where words flowed and family suffered just to end up with… yep you guessed it, more crap.

That my friends is the way of the writer as I am sure some of you are quite familiar with.

But something happened in my fifth year of writing. During my sixtieth (and really that’s not much of an exaggeration) rewrite of Blood Feud, the crap fell away and a good story finally started to form. At least to the point where I felt confident enough to send my work to a professional author, editor, and friend (Michael Knost) so he could tell me it was crap too. And to my surprise, he said it was a pretty awesome story.

Crap, what do I do now?

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When Your Own Bad Writing Makes You Sick

Ever look back and read work you’ve done in the past to realize it sucks so bad you almost feel physically ill?

Yep, that happened to me in a big way Sunday. The previous week my son started school on Wednesday, so I started working on my new novel with gusto (I’d been waiting all summer to start!), but realized I had some background information and research that needed to be done first. Then I got the bright idea to read the half completed first draft of my second novel (Dark Territories) over the weekend. God, what a horrible, awful, terrible disappointment that turned out to be.

I couldn’t even get all the way through two chapters before I decided I’d had enough, because I was real close to vomiting. Yeah, it was that bad. And I can’t even pinpoint one specific thing that was terrible. There was a well balanced amount of terribleness from stiff and completely out of character dialogue to plot leaps that would make a mountain goat proud. There were tie-ins from one story arc to another that left me wondering exactly how much I had to drink that day. And please don’t even get me started on my long windedness. I could probably make a schooner set sail with all that blustering air moving about in each scene.

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Goals for 2015

As always I like to make a few goals for myself for the new year. I like to cement it here on my blog for accountability, but also I feel when I put something in writing I am more likely to get it done. I try not to go overboard and do unrealistic goals that I couldn’t get done in five years if I tried. In fact, this year I am keeping it simple with just a few things I want to try for, but they are significant to me.

Goal 1… And I know I’ve been saying this for the last two years, but for once I really do see this as a possibility… finish my novel Blood Feud. I’m at the halfway point in the fourth draft. All I have to do is finish the fourth draft and go through and do a quick polish draft and it will be DONE. I think it’s very reasonable to think I can get all that done in 2015.

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Reading Makes for Writing Better

“The most important thing is to read as much as you can, like I did. It will give you an understanding of what makes good writing and it will enlarge your vocabulary.” — J.K. Rowling

I have always had a deep love of reading. I believe it is what drove me to become a writer, because I realized after reading so many wonderful stories that I had a story to tell too. But unfortunately I have not always be an avid reader.

My story begins as a young girl barricading myself in my room and ignoring the rest of the world as I happily spent hours upon hours traversing the great worlds built by authors likes Lucy Maud Montgomery, Laura Ingalls Wilder, and later authors like Kevin J. Anderson and Frank Herbert, which then morphed into the likes of Charlaine Harris and Jim Butcher (and yes, one of my favorite authors is J.K. Rowling).

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Fight Scenes Part 5: Psychological Warfare

Whew! We made it to number five! If you missed the other four parts of this fight scene series you can catch up Fight Scenes Part 1: An Introduction, Fight Scenes Part 2: Physical Differences, Fight Scenes Part 3: Hand to Hand Combat, and Fight Scenes Part 4: Weapons. Here is the last, but certainly not the least installment of the series. Check out how to get the upper hand with messing with people’s heads, or how a fight can mess with a your (main/other) characters head.

Something to remember... When you fail to do something in a fight, it can be a serious psychological blow.

The arrogance of power assumes they will always be successful and can’t be stopped. They also feel entitled to seize anything they can take.

Some psychological elements are…

  • Experience
  • Temperament
  • Desire/ intent
  • Mental state
  • Emotional state

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