As a writer, I am always learning. I think that’s what I love most about writing — the learning never stops. I am either learning something new about myself and writing as I write, or I stumble across new information as I am looking to learn more about writing. This time it was the latter. Recently on Twitter, I ran across a book recommendation for plotting that I loved so much I had to share it here.
I definitely believe character development is a key element in a story. The more a reader can relate with a character and feel for a character’s journey, the better the book becomes. And this method certainly will help with that!
This book also helped me realize that I’m a Tweener (I always thought myself a straight up Pantser). I do love writing by the seat of my pants. That’s how I get some of my best ideas, but I also know where I’m writing too as well. I have a loose idea of events I need to reach and about where I need those events to happen. Also, I find already knowing my ending is a necessity to writing, even if I don’t know specifics. Just having a good idea of where I need to stop gives me a clear goal to reach for. But after reading Bell’s book I have an even better way to approach my writing. Start in the middle and Pants my way to the beginning and end. I’ll still have those events and goal posts to reach, but I think it will be far easier to get there knowing exactly what the character’s journey should entail.
And you know this book couldn’t have come at a better time for me. I’ve become somewhat stalled on writing the first draft of my second novel. I think this technique will get things churning quite nicely. Thanks Bell. 🙂
This is a subject I haven’t talked about much lately, but it’s certainly been on my mind as I work through the third draft of Blood Feud. The twists and turns my story takes sometimes even baffles me. I then wonder if that’s a good thing. Maybe this story is getting too complicated, or maybe I just haven’t thought things through enough. So then I go back to the drawing board to see how to untangle the twisty plot strings, and hope I don’t make an even bigger mess. Sound familiar?
I recently was told about Writing the Breakout Novel Workbook by Donald Mass and decided to order a copy and give it a shot. Wow! What a difference it has made in the way I approach a story. This book is a wonderful way to help work out the character and plot kinks of a novel, but it is also very helpful with short stories as well.
This book is sectioned off into three parts Part 1: Character Development, Part 2: Plot Development, and Part 3: General Story Techniques. Each part then goes into great detail about each element within the categories. I love that Donal Mass has included a little “lesson” and follows up with exercises where I can input my own information, depending on the story I want to work on.
I highly recommend this book to anyone serious about writing a novel, or writing period. I, for one, give it huge points just for helping me figure out the tangled weave that is my novel Blood Feud. Thank you, Donald Mass.
Note: This Writing The Breakout Novel Workbook is NOT the same as the Writing the Breakout Novel. I have yet to read the latter, but from reviews, the Workbook is geared more to actively working on the plot of a story. The Writing Breakout Novel seems to take a more academic approach.
What is the most frustrating part about being a writer? I don’t know about other writers, but for me its discovering a fabulous idea that I start writing on, and then part way into the story the idea fizzles, or I lose interest- So much for that fabulous idea. It gets tossed on that dusty shelf where all stories usually never get a second glance. After awhile, looking at the cluttered shelf can get more than a little depressing and I wonder, “Why can’t I finish anything? Why can’t I find a story I really want to write?”
Answer… Because I haven’t spent enough time developing any idea to the point where I can really know it to feel it inside and out, up and down, and all the way through to the deepest core of the idea.
I’ve noticed as a writer that the stories I spend more time thinking on always come out clearer and more fully formed. In fact, as a rule now I don’t even put my story to paper unless I have spent a days, weeks, or even months pondering on characters, backstory, emotional motivations, and different possible plot lines. Once I feel like I have a strong connection to the idea, then I begin to write it down. The words flow and I can’t seem to write fast enough. The stories have complete structure beginning, middle, and end. The best part is I feel a much stronger connection to the characters than I ever did just plopping ideas down as soon as they are breathed life.
I recently heard a piece of advice Ray Bradury gave a fellow writer… “Writing is 99% thinking, and the rest is typing.” When I heard that quote I could only think, “Wow, if only someone had told me that years ago it would have saved me a lot of trouble.” But then I doubt I would have understood that as I do now.