Plotting Your Novel by Writing from the Middle

As a writer, I am always learning. I think that’s what I love most about writing — the learning never stops. I am either learning something new about myself and writing as I write, or I stumble across new information as I am looking to learn more about writing. This time it was the latter. Recently on Twitter, I ran across a book recommendation for plotting that I loved so much I had to share it here.

Write Your Novel From The Middle: A New Approach for Plotters, Pantsers and Everyone in Between by James Scott Bell is must read for anyone serious about writing. This book goes into detail about why writers should start from the middle of a story instead of the beginning or end (who would of thought!). And how finding a character’s “mirror moment” is essential to true character development.

I definitely believe character development is a key element in a story. The more a reader can relate with a character and feel for a character’s journey, the better the book becomes. And this method certainly will help with that!

This book also helped me realize that I’m a Tweener (I always thought myself a straight up Pantser). I do love writing by the seat of my pants. That’s how I get some of my best ideas, but I also know where I’m writing too as well. I have a loose idea of events I need to reach and about where I need those events to happen. Also, I find already knowing my ending is a necessity to writing, even if I don’t know specifics. Just having a good idea of where I need to stop gives me a clear goal to reach for. But after reading Bell’s book I have an even better way to approach my writing. Start in the middle and Pants my way to the beginning and end. I’ll still have those events and goal posts to reach, but I think it will be far easier to get there knowing exactly what the character’s journey should entail.

And you know this book couldn’t have come at a better time for me. I’ve become somewhat stalled on writing the first draft of my second novel. I think this technique will get things churning quite nicely. Thanks Bell. 🙂

 

Taking the Plunge to Self-Publish

It has been a long road since I started writing my novel Blood Feud. The journey began in April of 2012. I remember it well — a month of straight writing where the ideas just flowed like water. They pooled onto the page with little effort as months of thinking about my story and characters finally found a permanent place on the page. My story flourished but my poor family suffered from neglect. So at the end of the month and about 50,000 words later, I took a break. A few weeks later I came back to my marvelous work of art to realize everything I had written was total crap. And that pretty much sums up the next four years. Awesome spurts of writing where words flowed and family suffered just to end up with… yep you guessed it, more crap.

That my friends is the way of the writer as I am sure some of you are quite familiar with.

But something happened in my fifth year of writing. During my sixtieth (and really that’s not much of an exaggeration) rewrite of Blood Feud, the crap fell away and a good story finally started to form. At least to the point where I felt confident enough to send my work to a professional author, editor, and friend (Michael Knost) so he could tell me it was crap too. And to my surprise, he said it was a pretty awesome story.

Crap, what do I do now?

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When Your Own Bad Writing Makes You Sick

Ever look back and read work you’ve done in the past to realize it sucks so bad you almost feel physically ill?

Yep, that happened to me in a big way Sunday. The previous week my son started school on Wednesday, so I started working on my new novel with gusto (I’d been waiting all summer to start!), but realized I had some background information and research that needed to be done first. Then I got the bright idea to read the half completed first draft of my second novel (Dark Territories) over the weekend. God, what a horrible, awful, terrible disappointment that turned out to be.

I couldn’t even get all the way through two chapters before I decided I’d had enough, because I was real close to vomiting. Yeah, it was that bad. And I can’t even pinpoint one specific thing that was terrible. There was a well balanced amount of terribleness from stiff and completely out of character dialogue to plot leaps that would make a mountain goat proud. There were tie-ins from one story arc to another that left me wondering exactly how much I had to drink that day. And please don’t even get me started on my long windedness. I could probably make a schooner set sail with all that blustering air moving about in each scene.

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Writing Groups: Not for All Writers All of the Time

One of the first pieces advice I received as a young writer (about eight or nine years ago now) from multiple sources (mostly from writing books and sage advice from published authors) was that to be successful at writing one must join a writing group. I was told writing groups would make me a better writer by giving me a place to talk and learn about writing as well as put me around other like-minded individuals for the support I needed to keep writing.

I took that advice to heart and joined a writers group two years after I began my cool hobby of writing, because I wanted to take my cool hobby to the next level.

It was the best decision of my life.

Until that defining moment of joining my first writing group, writing was a fancy. Something I did in my spare time. I had big ideas of being published, but it was a pie in the sky kind of thing. Joining a writing group made me realize that writing isn’t as romantic as I first thought. It’s lot of hard work (and a building of strict discipline and great effort), but work that had a hell of a pay off in the end (and I’m not talking about being published).

Through the help of my new writing friends, I learned that writing was not just something to do or some passing fancy for me, it was a way of life… my new way of life. And for two years, I went to every single writing meeting religiously (every other Saturday afternoon). And no sickness or excuse would keep me from going (okay, so if I was running a fever I wouldn’t go, but you get the idea).

Then I started getting restless. Something was wrong, very wrong and I didn’t know what it was. The meetings weren’t as fulfilling anymore and more times than not I would come home from a meeting totally frustrated, wondering why I’d wasted hours talking about writing and other things that had nothing to do with writing (because my writing group did love to get off topic a lot).

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Should I Write a Novel or a Short Story?

What a great question, and one may writers struggle to answer in their writing journey. The best part about this question is there is no wrong answer. And yet, a writer often feels like the whole world hinges on that one important question… Should I write a novel or a short story?

The simple answer is… it depends.

It depends on the subject matter, how long you really think it will tell the best story, and how much staying power you have. Let’s face it, writing a novel is not easy. Many people have tried and failed. And many people have succeeded and wished they’d just wrote a freaking short story.

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Common Phrases Used by Authors

commo phrasesNow this is an interesting little chart I stumbled upon as I browsed Facebook. This post from the Writer’s Circle. I often enjoy the posts this page puts up, but this one made me stop and think. And the question that popped in my brain was… What would be the most common phrases in my writing?

An argument could be made for the listed words and phrases as being too simplistic and possibly boring. But considering the intended audience (young adult), is that really a bad thing? And it opens the question… is simplistic writing possibly a better way to go? After all, these series are best sellers.

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The Difficulty of Writing From Multiple POVs

This one is a doozy for me, especially since my novel has five different point of views (POVs) that I am telling the story from. There have been many, many times where I question my decision as to whether I really need to be inside five different heads. Can’t I just manage with my main character? Because it sure would be a lot easier and my novel would be done long by now. But I keep coming back to the answer of… yes.

My story is such that it’s bigger than the main character. It’s more than just about the people. It’s about the world they live in and the choices each person makes and how those choices affect the bigger picture. And because of that, the reader really needs to get a front row seat with each of these five major players.

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